India in Film: Mira Nair and Vanity Fair

I love to watch Mira Nair’s movies, especially the ones filled with the color and beauty of India, like Monsoon Wedding and Kama Sutra: A Tale of Love. One movie she directed that didn’t take place in India was Vanity Fair, but it too had her color and beauty infused into it.

I had a problem with her take on the story, though. The vivid colors and the Indian imagery were great, the production splendid, but she made the main character into a heroine, when Thackeray specifically stated in the subtitle that his story had no hero. Nair white-washed the utter bitch that was Becky Sharp, back stabbing, trash talking, shallow, lying, cheating… And on top of that she was a truly crappy mother, but even that was someone else’s fault in the movie.

Okay, so after watching the DVD interviews, it seems that Nair was bewitched by Becky as a young girl and always saw her as a great, yet flawed heroine. So, maybe she just wanted the rest of the world to see Becky with her same delusion. That’s okay, right? Image is everything.

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