While I’m here in Georgia, I ought to mention one of my favorite works of art — Alice Walker’s The Color Purple
. It was already one of my favorite movies long before I actually read the book.
My brother-in-law Dave once told me that he usually liked to watch a movie first because it was too easy to ruin a movie by reading the book first; but it wasn’t as easy to ruin the book if you’d already seen the movie. Movies are much more fragile that way. Regardless, I was a little worried when I started reading The Color Purple
.
Even though I knew the movie story so well and the music had touched me to my core, I was still amazed at how much richness and color was packed into that skinny, little book. Honestly, I think it’s a linguistic masterpiece, up there with Anthony Burgess’s A Clockwork Orange
. (How’s that for a comparison? Wrong, I know.)
Recently a dear friend gave me a book called, The Same River Twice: Honoring the Difficult
. It was Alice Walker’s memoir of making her book into a movie with Steven Spielberg and Quincy Jones. It was so much more than a memoir, for it included her original screenplay, the liner notes from the soundtrack and fan mail from people who had been touched by her words.
The lady is something special. I saw her speak here in Dallas a few years ago, and she was ready to move on, ready to talk about her other works, and why does everyone always want to talk about The Color Purple? I have enjoyed her other novels, and I quote them often, for their messages have real meaning for me. But I believe her true talents as a writer lie in her shorter works, those power-packed, poetic short stories and that little, skinny book that first gave us Celie and Shug.